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The work stems from the reinterpretation and evolution of a previous collaboration with Asker and Cheone: Senza Limiti. As can be seen, the sketch of Asker’s lettering is the same as the previous work, but its dimensional key is completely distorted and broken down into three levels: two-dimensional, perspective and three-dimensional.

In this graffiti we see an organic visual path where the lettering passes from a two-dimensional phase, drawn on the perspective plane of the woman’s writing-desk, to a volumetry where the letters are pulled down by the hand of a female figure. Unlike the work Without Limits, where the three-dimensional lettering floated in front of the wall, in this representation Asker unhinges his usual approach to experiment with a more articulated and complex composition, amazingly organic in the perspective context of the figures, which create a unique work.

The artists and graffiti writers: Cheone and Crea, worked together on this project, both of them specialised in hyper-realistic figurative art.